A Color in a Painting Only the Artist Would Use Is What Approach to Art Evaluation

The elements of art are components or parts of a piece of work of fine art that can be isolated and defined. They are the edifice blocks used to create a work of art.

The list below describes each element of art. Larn nigh the principles of design here.

Download a student handout containing a listing of the elements of art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a point moving in space. It is one-dimensional and can vary in width, direction, and length. Lines often define the edges of a form. Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin. They pb your eye around the limerick and can communicate information through their graphic symbol and management.

Horizontal lines propose a feeling of remainder or tranquillity because objects parallel to the globe are at rest. In this landscape, horizontal lines also help give a sense of space. The lines delineate sections of the landscape, which recede into space. They also imply continuation of the landscape across the picture airplane to the left and correct.

Vertical lines oft communicate a sense of top considering they are perpendicular to the earth, extending upwards toward the sky. In this church interior, vertical lines suggest spirituality, rising beyond homo reach toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with ninety-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of motion. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either about to fall or are already in movement. The angles of the ship and the rocks on the shore convey a feeling of motion or speed in this stormy harbor scene.

The bend of a line tin convey energy. Soft, shallow curves call back the curves of the human body and often have a pleasing, sensual quality and a softening upshot on the composition. The border of the pool in this photo gently leads the eye to the sculptures on the horizon.

Shape and form

Shape and form define objects in space. Shapes accept two dimensions–height and width–and are usually defined by lines. Forms be in three dimensions, with elevation, width, and depth.

Shape has only height and width. Shape is ordinarily, though non ever, defined by line, which can provide its contour. In this paradigm, rectangles and ovals dominate the limerick. They depict the architectural details for an illusionist ceiling fresco.

Form has depth too as width and summit. 3-dimensional form is the ground of sculpture, furniture, and decorative arts. Three-dimensional forms can exist seen from more than one side, such equally this sculpture of a rearing equus caballus.

Geometric shapes and forms include mathematical, named shapes such as squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are ofttimes man-fabricated. Even so, many natural forms too have geometric shapes. This cabinet is decorated with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are frequently found in nature, only human being-made shapes can too imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Space

Existent infinite is 3-dimensional. Infinite in a piece of work of art refers to a feeling of depth or iii dimensions. It can also refer to the artist's use of the surface area within the pic plane. The expanse around the master objects in a work of art is known every bit negative space, while the space occupied by the master objects is known as positive infinite.

Positive and negative space
The relationship of positive to negative space can greatly affect the impact of a work of art. In this cartoon, the man and his shadow occupy the positive infinite, while the white infinite surrounding him is the negative space. The disproportionate amount of negative space accentuates the figure's vulnerability and isolation.

3-dimensional space
The perfect illusion of three-dimensional space in a two-dimensional work of art is something that many artists, such as Pieter Saenredam, labored to achieve. The illusion of space is achieved through perspective drawing techniques and shading.

Color

Light reflected off objects. Color has iii main characteristics: hue (cerise, green, blue, etc.), value (how calorie-free or dark it is), and intensity (how bright or boring it is). Colors can exist described every bit warm (scarlet, yellowish) or cool (blueish, grey), depending on which end of the color spectrum they fall.

Value describes the brightness of colour. Artists use color value to create different moods. Dark colors in a composition propose a lack of light, every bit in a night or interior scene. Dark colors can often convey a sense of mystery or foreboding.

Lite colors oft depict a light source or light reflected inside the limerick. In this painting, the dark colors suggest a night or interior scene. The creative person used low-cal colors to depict the light created past the candle flame.

Intensity describes the purity or strength of a colour. Vivid colors are undiluted and are oft associated with positive free energy and heightened emotions. Deadening colors have been diluted past mixing with other colors and create a sedate or serious mood. In this image the artist captured both the seriousness and the joy of the scene with the dull greyness stone interior and the brilliant red pall.

Texture

The surface quality of an object that we sense through touch. All objects have a concrete texture. Artists can also convey texture visually in two dimensions.

In a two-dimensional work of art, texture gives a visual sense of how an object depicted would feel in existent life if touched: hard, soft, rough, smooth, hairy, leathery, sharp, etc. In 3-dimensional works, artists use actual texture to add a tactile quality to the work.

Texture depicted in 2-dimensions
Artists utilise colour, line, and shading to imply textures. In this painting, the man's robe is painted to simulate silk. The ability to assuredly portray textile of different types was ane of the marks of a great painter during the 17th century.

Surface texture
The surface of this writing desk is metallic and difficult. The hard surface is functional for an object that would take been used for writing. The smooth surface of the writing desk reflects light, calculation sparkle to this piece of furniture.

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Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

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